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![](https://www.trevorjonesart.com/wp-content/uploads/2023/12/Climbing-Arthurs-Seat-300x225.jpg)
This exhibition connected paint with AR, video, morphing, social media, an EEG brainwave scanner and more to create an interactive space that…
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Moving on from my 2013 AR animation paintings I decided to experiment with video the following year and chose the Edinburgh Botanic…
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I discovered AR early 2013 and I was soon researching ways to fuse this exciting technology with my art. Storytime.org.uk became my first adventure/project…
![](https://www.trevorjonesart.com/wp-content/uploads/2022/01/henry-raeburn-93192_1280-300x225.jpg)
A noise which epitomises youth in the 1990s is the sound which pre-broadband era internet made when dialling up to connect to…
![](https://www.trevorjonesart.com/wp-content/uploads/2022/01/phone-292994_1280-300x225.jpg)
Protest in 140 Characters or Less (2012)
The painting that has just redirected you to this website is an art project constantly in motion. Though the work of art…
![](https://www.trevorjonesart.com/wp-content/uploads/2022/01/fire-6081676_960_720-300x225.jpg)
She sensed no danger; there was no one to tell her not to. There was no one there. Four arches with four…
![](https://www.trevorjonesart.com/wp-content/uploads/2012/01/hurry-552026_1280-300x225.jpg)
“The proper artistic response to digital technology is to embrace it as a new window on everything that’s eternally human, and to…
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An exploration into new technology Scannable, very cool and so 2012. I began exploring QR codes in 2011 initially to use them…
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A selection of my paintings inspired by ‘The Poem of Ecstasy’, the music of Alexander Scriabin. Although the Poem of Ecstasy is…
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Below is a selection of paintings from my 2010 exhibition inspired by songs by contemporary Scottish artists Each painting focussed on a…